“When you finish something, but it away in a drawer for awhile. Work on something else. Come back to it later.”As a creative writing student, I heard that piece of advice over and over again. I've heard again as a professional from the other writers in my life. It's by far the most common piece of writing advice given (right after "write what you know"). The idea is that you need a fresh perspective to truly edit something well. If you try to edit right after writing it, it’s too fresh; you know what you meant, even if it didn’t get conveyed by what you wrote. When you edit right after writing something, it’s easy to assume that you’re clear and concise because it makes sense to you.
Today, I opened my drawer.
Two and a half years ago I wrote a novel. A 115,000 word novel (for some perspective, Twilight by Stephanie Meyer is roughly 118,000 words and I KNOW you’ve seen that hanging out on the shelves of your local bookshop). My novel is long. It’s complicated. It’s full of fight scenes and lots of dialogue and back story. It’s EPIC. It’s also not that great.
It’s not bad. In fact, I’ve gotten positive feedback from everyone I’ve shown it to (I’ve shown it to more than just my mom, geesh, guys, give me a little credit). I also got a lot of really helpful suggestions and critiques, mostly involving how long and complicated it is.
The industry “standard” for a YA novel is between 50,000 − 80,000 words. There are of course exceptions to this, and most of them are in the fantasy/paranormal genre, which is the genre my novel falls into. However, I know that not all of the extra 35,000 words I wrote are worth keeping. There are a lot of subplots and superfluous nonsense. Some of it is interesting. A lot of it is well written. But most of it is not necessary to the plot or main character arch of this book.
Over the last few years, I’ve peeked in this drawer before. I’ve taken out the contents and poked at it. I’ve shuffled a few chapters around. I’ve deleted a few sentences. I’ve made some notes. I always put it back in the drawer.
You see, I’ve been afraid to do the work.
This book needs deep cuts. And those deep cuts are going to leave some gapping holes that need to be filled in or have bridges built over. It’s a little scary to think about that kind of work.
Tonight, I opened the drawer and started the work.
I knew roughly which chapters were expendable from all of that poking around I've done. I had them crossed out on my plot outline and noted appropriately in Srivener. Tonight, I pulled those chapters out. of the manuscript, even the ones that have some of my best writing and favorite scenes in them. I did a quick once over for scenes that would be effected by those deletes. Then I complied a new document and sent it off to the printers. Later this week, I’ll be doing a little old school editing with a printed manuscript and a red pen.
It’s time to do the work. I made the cuts and it actually wasn’t too scary. I feel relieved even. And a little excited. I feel like maybe this time next month I’ll be ready to share it with a fresh set of beta readers. And this time in March, I’ll be ready to send it out into the world of agents to see if any of them like it. That’s a scary and very fun thought. I haven’t been ready to do the work before, but now, I’m ready. I’m ready to keep that drawer empty for now.






